The North American Free Trade Agreement Essay - 2011 Words

The North American Free Trade Agreement nbsp;nbsp;nbsp;nbsp;nbsp;Since the birth of this great nation in 1776, the United States has remained a dominant world power in many aspects. The American standard of living has been the envy of the world, powered by an economy rivaled by nearly no one. Our economy continues to be the rock with which the global economy can lean on, as evidenced by nations that rely on huge reserves of the dollar because of its stability as a means of settling international debts. Unfortuneatly, despite the solidity that our economy is so often associated with, we have accumulated a 5 trillion dollar (thats 9 zeros) national debt. Something has to be done about this colossal problem to ensure that the United†¦show more content†¦This seems to make sense considering that 86% of the companies listed on Fortune magazines top 500 list has operations in Mexico. With the support of current president, Bill Clinton, the NAFTA passed through Congress late in 1993. nbsp;nbsp;nbsp;nbsp;nbsp;The 2,000 page NAFTA plan details many things, one of the most important clauses being the reduction of tariffs. Over the next 15 years all internal tariffs will be reduced to zero for trade amongst the United States, Canada, and Mexico. Tariffs on quot;sensitivequot; goods such as agricultural products that require a longer adjustment period will remain in place for the full 15 years, while being subjected to incremental decreases each year. All in all there are 4 tariff classes, quite cleverly lettered A, B, C, and C+, to be reduced to zero eventually. Tariffs for the quot;Aquot; class were void as of January 1, 1994. The quot;Bquot; category will diminish at a rate of 20% for five years, the quot;Cquot; class at a rate of 10% a year for 10 years, and finally the quot;C+quot; category which will stretch tariff reductions out over the full 15 years. Other than tariffs, NAFTA also eliminates things such as the costly need to convert drivers as merchandise rolls over the borders of a neighboring country. nbsp;nbsp;nbsp;nbsp;nbsp;What all of this could do for the United States is quite clear. The most important objective is to improve the efficiency and productivity ofShow MoreRelatedNorth American Free Trade Agreement Essay1398 Words   |  6 Pages North American Free Trade Agreement During the most recent race for the White House we heard very little of substance from both parties, but one thing both parties seem to agree on is that free trade has been bad for the U.S. worker. One candidate proclaimed that the North American Free Trade Agreement (NAFTA) has cost the United States hundreds of thousands of jobs and another distanced herself from free trade agreements all together. It has been over twenty years since the implementation ofRead MoreThe North American Free Trade Agreement1711 Words   |  7 PagesThis paper will discuss four components of the North American Free Trade Agreement: Background, events, pros and cons. Upon the research, you will discover four online articles to provide more detail and examples. This research will indicate how it was developed and the reasoning on why it would benefit the nation. Also, it will provide events that occur after the agreement was signed by congress and the recession the countries experience during the e arly 2000s. There will be a chart locatedRead MoreThe North American Free Trade Agreement Essay1420 Words   |  6 Pagessubstance from both parties, but one thing both parties seem to agree on is that free trade has been bad for the U.S. worker. One candidate proclaimed that the North American Free Trade Agreement (NAFTA) has cost the United States hundreds of thousands of jobs and another distanced herself from free trade agreements all together. It has been over twenty years since the implementation of the North American Free Trade Agreement and many have criticized it as a bad deal for the U.S. It can be shown thatRead MoreThe North American Free Trade Agreement1036 Words   |  5 PagesThe North American Free Trade Agreement also referred to as NAFTA produced results on January 1, 1994. A trade agreement was made between each of the three of nations of North America. The United States, Canada, and Mexico. The Canadian Prime Minister, Brian Mulroney, the Mexican Presiden t, Carlos Salinas de Gortari, and previous U.S. President George H. Shrub initiated the agreement. Connections between the nations were at that point on great terms, particularly between The United States and CanadaRead MoreThe North American Free Trade Agreement Essay1863 Words   |  8 PagesThe North American Free Trade Agreement, or NAFTA, is an accordance between the United States, Mexico, and Canada that was put into effect in January 1994. This agreement was unprecedented because it integrated three countries that were at extremely different levels of economic development. It changed the economic relationship between North American countries and encouraged trade and investment among the three countries to grow considerably. The purpose of the creation of the North American FreeRead MoreThe North American Free Trade Agreement Essay1356 Words   |  6 PagesThe North American Free Trade Agreement (NAFTA) is an agreement negotiated by three countries; Canada, Mexico, and the United States. The main purpose of NAFTA is essentially to reduce trade barriers in order to promote international commerce, and open up different industries to trade, in particular textiles, agriculture, and automobile sectors. The introduction of NAFTA completely transformed North American economic relations and led to unparalleled cooperation between the U.S. Canada and MexicoRead MoreThe North American Free Trade Agreement1486 Words   |  6 PagesThe North American Free Trade Agreement (NAFTA), an agreement signed by three countries in creating rules in trade in North America. NAFTA, when being presented, was described as genuine for helping Mexico and Canada. But was NAFTA really helpings those counties or really just helping N orth America? Initially North America was being genuine about NAFTA when talking to Mexico and Canada but in reality the NAFTA caused some uneven development as the years went by. I have two stories thatRead MoreThe North American Free Trade Agreement1804 Words   |  8 Pagesunderstanding the elements of trade blocs that enable open markets between member nations while also decreasing the cost of conducting business within a country is essential in making strategic logistical decisions. The North American Free Trade Agreement (NAFTA) has provided one such trade bloc that encompasses the countries of the United States, Mexico, and Canada. Since the inception of NAFTA in 1994, significant financial results have been achieved regarding increases in trade revenue and increases inRead MoreThe North American Free Trade Agreement1018 Words   |  5 PagesThe North American Free Trade Agreement, known as NAFTA, is a trilateral trade agreement between Canada, the United States, and Mexico. Signed January 1, 1994, NAFTA’s main purpose was to reduce trading costs, increase business investments, and help the United States be more competitive in the g lobal marketplace. The agreement would eliminate all tariffs on half of all U.S. goods shipping to Mexico and introduce new regulations to encourage cross-border investments. According to President Bush, tradeRead MoreThe North American Free Trade Agreement920 Words   |  4 PagesThe North American Free Trade Agreement (NATFA) shoved the American worker down a flight of stairs in the name of Globalization NAFTA or a bill similar had been floating around Washington since 1979 a year before Reagan took office. NAFTA truly went no where for over a decade. The â€Å"North American Accord† was first proposed by the Reagan and the GOP were always in favor of passage but, it was the Progressive wing, along with many other pro-union members in the Democratic party who held NAFTA at

Young Goodman Brown The Evils of Puritanism Essay

Puritanism dominated 17th century history and literature. Nathaniel Hawthorne born in 1804 was an American writer who sought to resolve his conflicts with Puritanism through his writing. Hawthorne wrote several stories showing the world the horrors of the Puritan faith and the isolation of individuals who failed to uphold the faith. For Hawthorne, Young Goodman Brown illustrates the difference between Puritan teaching and practicing and reflects his own guilt about the mistreatment of men at the hands of his forefathers. Young Goodman Brown protagonist struggles with Puritanism is a reflection of Hawthorne personal conflicts with Puritanism. Hawthorne uses the story of Young Goodman Brown to illustrate Puritanisms disconnection between†¦show more content†¦Ronan states Goodman Brown is â€Å"both a Hawthorne and a son of Burroughs—â€Å" the holy man† whose hanging is portrayed in â€Å"Main-street† as the ultimate symbol of the witch trials’ injustice†( Ronan 279). As Goodman Brown continues to walk with this older man he starts to get nervous say â€Å"too far too far!’ exclaimed Goodman, unconsciously resuming his walk† (Hawthorne 388). Although Goodman Brown knows what he is doing is wrong, he continues walking in the woods with the traveler. Goodman Brown states â€Å"My father never went into the woods on such an errand, nor his father before him. We have been a race of honest men and good Christians, since the days of the martyrs. And shall I be the first of the name Brown, that ever took this path†(Hawthorne 388). Again, the importance of family history in the role of guilt regarding Puritan values and practices emerges as the traveler enlightens Goodman Brown about his father and grandfather. The traveler states â€Å" I helped your grandfather, the constable [lash a] Quaker women smartly through the streets of Salem...I brought your father a pitch-pine knot, kindled at my own hearth, to set fire to an Indian village, in King Philip’s war† (Hawthorne 388). This is also the first time when the reader sees the traveler as more than a normal man, but the devil. Both the reader and Goodman Brown begin to realize that no ordinary man can entice the strong in faith from the path of from righteousness unless he is the devil. Furthermore, theShow MoreRelated A Critique of Puritanism in Hawthornes Young Goodman Brown Essays635 Words   |  3 PagesYoung Goodman Brown: A Critique of Puritanism   Given Nathaniel Hawthornes background, it is not a stretch of the imagination to say that Young Goodman Brown is a critique of   Puritanism.   Hawthorne lived in the deeply scarred New England area, separated from puritanism by only one generation.   His grandfather had been one the judges who presided over the Salem Witch trials.   Some of the principle motifs that run through Hawthornes works are hidden sin, the supernatural, and the influenceRead MoreNathaniel Hawthorne s Young Goodman Brown And The Minister s Black Veil Essay1175 Words   |  5 Pagesshort stories two of which included â€Å"Young Goodman Brown† and â€Å"The Minister’s Black Veil†. In 1835, Hawthorne published â€Å"Young Goodman Brown† which is â€Å"perhaps the greatest tale of witchcraft ever written† (Nathaniel Hawthorne). And in 1836, Hawthorne wrote â€Å"The Minister’s Black Veil†, a story of an in-depth look at sin. Both of these short stories were written during a time when Puritanism was highly regarded and emphasized on all the communities. Puritanism started in England in the sixteenthRead More Hawthornes Young Goodman Brown - The Puritans and Love Essay1121 Words   |  5 Pages Young Goodman Brown:nbsp; The Puritans and Lovenbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp; Hawthorne’snbsp; â€Å"Young Goodman Brown†, exposes the puritan view of love and relationships. In theory, these two visions are diametrically opposed. One exalts love as a physical manifestation between two individuals (although it also claims to represent higher ideals), the other sees it as a spiritual need, one best manifested by attachment to God. In fact, theRead MoreEssay about Nathaniel Hawthorne’s Young Goodman Brown3241 Words   |  13 PagesNathaniel Hawthorne’s Young Goodman Brown   Ã‚  Ã‚  Ã‚  Ã‚  Nathaniel Hawthorne’s â€Å"Young Goodman Brown† captivates the reader through a glimpse of the Puritan church. The story also shows the struggle of good versus evil in the main character Goodman Brown. The role of the Puritan church is crucial in shaping Goodman Brown’s personality and helping the reader understand why he was reluctant to continue his journey.   Ã‚  Ã‚  Ã‚  Ã‚  Ã¢â‚¬Å"Puritanism, movement arising within the Church of England in the latter part ofRead MoreNathaniel Hawthornes Literature During Early America1560 Words   |  7 Pagesproduced a large sum of work, including many famous short stories. The most important of these, Young Goodman Brown, is noted for its vivid depiction of witch craft and Puritan culture. However, it is of greater significance because the story clearly exhibits the marks of Hawthornes influences. The greatest influence on all of Hawthornes literature is the cultural and religious impact of Puritanism, a religious movement with a long history. During the 16th century, the Anglican Church was formedRead MoreBiography of Nathaniel Hawthorne1273 Words   |  6 Pageswould radically change his life. In his short story â€Å"Young Goodman Brown,† Nathaniel Hawthorne’s Puritan family secrets aid in forming symbols of faith and evil and developing the inner complexities of his characters. Hawthorne, the sixth generation in a family of American Puritans, was raised to strictly follow his religion. Born on July 4, 1804, Hawthorne spent most of his childhood years living in Salem, Massachusetts, the epicenter of Puritanism (Bio.com 1). On the surface, his family, the HathornesRead MoreThe Puritan Influence in Young Goodman Brown by Nathaniel Hawthorne451 Words   |  2 PagesThe Puritan Influence in Young Goodman Brown by Nathaniel Hawthorne Nathaniel Hawthorne’s â€Å"Young Goodman Brown† (repr. in Thomas R. Arp, and Greg Johnson, Perrine’s Literature: Structure, Sound, and Sense, 8th ed. [Fort Worth: Harcourt, 2002] 316) is a short story with strong Puritan influence. Puritanism is a religion demanding strict moral conduct and strong faith. Puritans held that Christians should do only what the Bible commanded. Analyzing â€Å"Young Goodman Brown† is dependant upon understandingRead MoreDisapproval of Puritanism in Nathaniel Hawthornes Young Goodman Brown1959 Words   |  8 PagesRunning Head: Hawthornes Young Goodman Brown Hawthornes Young Goodman Brown Critical Analysis Nathaniel Hawthorne has presented his disapproval of Puritanism in the form of Young Goodman Brown who has been presented as the living embodiment of Puritanical sect. Where the influence of Hawthornes background on his work is evident, he has managed to present evidences for his argument. In his short story, he portrays Young Goodman Brown as a character who, on the basis of his own staunch beliefsRead MoreYoung Goodman Brown and the Ministers Black Veil Essay1054 Words   |  5 Pagesfounded through religious ideals. Since its beginning, religion has helped to define the American Identity into what it is today. And this was explored throughout American literature especially in the Hawthorne’s The Minister’s Black Veil and Young Goodman Brown. Hawthorne’s The Minister’s Black Veil is a parable, suggests his purpose for writing. According to Webster’s dictionary, a parable is a short allegorical story designed to illustrate or teach some truth, religious principle, or moral lessonRead MoreYoung Goodman Brown Symbolism Essay1147 Words   |  5 Pages Newlywed Goodman Brown, plans to kiss his wife, Faith, goodbye, and journey into the woods one evening, to satisfy his curiosity. As he heads off with strong faith, he looks back, and is concerned whether Faith knows of his real plans. Goodman is a young man of Salem, Massachusetts who comes from a long line of Puritans. He is a devout Christian and frightened of becoming a sinner. Although Goodman’s journey may only be a dream, his trip into the woods is life altering. He ultimately comes

Film Production (1681 words) Essay Example For Students

Film Production (1681 words) Essay Film ProductionIn the period previous to the 1930s, the predominant form of filmmaking wasthat of the crank camera. This is not to say that motor-driven cameras werenot possible. However, the motors to advance the film were so large that theywere simply too cumbersome to be effective. Thus, it was the cameramanhimself who would crank the film at a steady rate to expose the frames. When it came to showing the film, on the other hand, motor driven projectorswere quite convenient, and by the 1920s a standard 24 frames per secondwas established for projecting films. Filming, however, remainedunstandardized due to the inherent variation in recording speeds, since itdepended directly on the cameraman. An experienced cameraman wascapable of filming an entire film at approximately the same speed, yet oftenvariations were made in the recording speed for dramatic effect. Decreasingthe number of cranks, for example, exposed fewer frames and thus whenprojected at the standard 24 frames created the frenzied action thatcharacterized much of the Vaudeville cinema. The French filmmaker GeorgesMelies was among the first to employ changing backdrops and costumes totell his story. Up until that point many film were only a few minutes long takingplace on a single set. Changing sets and costumes opened a vast range ofnew possibilities and spurred further growth in the fledgling in dustry. As thefilm industry expanded in America, filmmakers found and increasing need forto establish a single location at which they could build sets and filmundisturbed. The bright sunlight, relative stability of climate, and varied terrainfound in California made it an ideal place to film, much of the reason for theindustrys concentration there. During this time, films were shot on a singlereel, resulting in filmstrips that were only 15-20 minutes. Independentproducers pioneered the use of double reel filmmaking during the yearsbefore the First World War. This allowed much longer films and opening thedoor for further opportunity, both financially and creatively, as well asbringing into being the double reel camera that became such an icon of movieproduction. The major advance of the 1930s was the introduction ofsynchronous sound and dialogue in the late 1930s. First invented and shownin the 1920s, it became the standard by the early 1930s, partly due to theinvention of a device b ased on the radio that could effectively amplify soundin the theater. Initially there were two available systems with which to recordsound. The first was similar to a phonograph, and recorded the sound to aseparate disc. The second, more popular, system recorded the sound directlyonto the celluloid strip. Initially sound hindered the filmmaking process, sincethe cameras had to be encased to muffle the noise of their motors and actorscould not stray far from the stationary microphones. However, technologicaladvances soon made up for this and the sound became an integral part offilmmaking. The incorporation of sound into film and the resulting movietheater draw triggered a number of mergers in Hollywood as companies triedto consolidate their power (and their wealth). The result of these unions wasthe creation of the first major studios that dominated the industry for decades,Fox Studios (later 20th Century Fox), Leows Incorporated (laterMetro-Goldwyn-Meyer), Paramount, RKO, and Warner Bros. Thesestudios monopolized the industry through vertical consolidation, meaning theycontrolled every part of the production process. They owned the writers, thedirectors and producers, the actors, the equipment and crew, even thetheaters. They controlled every step and dominated Hollywood until 1948when the U.S. Government found them to be an illegal monopoly. It was alsoduring this time that color in movies became possible through the use of theTechnicolor system. Technicolor was created using a special camera that ranthree strips of film, one in red, one in blue, and one in yellow. When the threestrips were consolidated, the resulting image was in full color, though thecolors were frequently very exaggerated as can be seen in two such films thatwere filmed in this manner, Gone With The Wind (1939) and The Wizard ofOz (1939). The 1940s also marked the beginning of the Italian movementknown as neorealism. This movement focused on portraying thenon-fictional aspects of Italian s ociety for entertainment, in contrast to manyof the dream worlds that were being produced by Hollywood. Futuregenerations of filmmakers would look to this movement as inspiration for theirown films depicting their home countries in a style that is sometimes known asslice-of-life. A novelty technique used during the 1950s was theintroduction of 3-D. Filmed with special lenses and then viewed by theaudience with special glasses, Hollywood released about 35 of these filmsduring its brief popularity. Unfortunately, audiences quickly became boredwith it and Hollywood soon dropped it. Another technique introduced in the1950s was the wide screen format. It was introduced largely to distinguishmovies from television in an effort to lure dwindling audiences back intotheaters. Cinemascope was the first such technology, using a special lens tocompress the wider image onto a 35mm film reel. A second lens on theprojection piece would later decompress the image to create the wide screenformat. It was later replaced by the Panavision system, which did not requirespecial lenses. The 1950s also saw the rise of the French New Wave. TheNew Wave began with a group of French film critics who believed that themajority of French cinema was overly devoted to written aspects of a film. .u129c37ea9b6c0d3ff2899620c6513217 , .u129c37ea9b6c0d3ff2899620c6513217 .postImageUrl , .u129c37ea9b6c0d3ff2899620c6513217 .centered-text-area { min-height: 80px; position: relative; } .u129c37ea9b6c0d3ff2899620c6513217 , .u129c37ea9b6c0d3ff2899620c6513217:hover , .u129c37ea9b6c0d3ff2899620c6513217:visited , .u129c37ea9b6c0d3ff2899620c6513217:active { border:0!important; } .u129c37ea9b6c0d3ff2899620c6513217 .clearfix:after { content: ""; display: table; clear: both; } .u129c37ea9b6c0d3ff2899620c6513217 { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u129c37ea9b6c0d3ff2899620c6513217:active , .u129c37ea9b6c0d3ff2899620c6513217:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u129c37ea9b6c0d3ff2899620c6513217 .centered-text-area { width: 100%; position: relative ; } .u129c37ea9b6c0d3ff2899620c6513217 .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u129c37ea9b6c0d3ff2899620c6513217 .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u129c37ea9b6c0d3ff2899620c6513217 .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u129c37ea9b6c0d3ff2899620c6513217:hover .ctaButton { background-color: #34495E!important; } .u129c37ea9b6c0d3ff2899620c6513217 .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u129c37ea9b6c0d3ff2899620c6513217 .u129c37ea9b6c0d3ff2899620c6513217-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u129c37ea9b6c0d3ff2899620c6513217:after { content: ""; display: block; clear: both; } READ: The Effects Of Concussion On Children 's National Health System Essay They believed that the director, the creator of the final visual image should bethe true center and set out to direct their own films under this new theory. TheFrench New Wave also sought in some ways to reconceptualize film. Thoughthey were immersed in popular culture and striving to emulate Hollywoodssuccess, they also incorporated new techniques and styles. One suchexample of this Jean-Luc Godard, who introduced the jump cuts, temporalcuts to disrupt the continuity of a scene. During the 1960s Germany began itsown movement, similar to the Italian Neorealism and the French New Wave,known as das neue Kino, translated as The New Cinema. Major aspects ofthe New Cinema were a focus on history and hardship Germany hadendured, the effects of popular culture from America on German society, aswell as the inclusion of feminist viewpoints on these subjects. It was duringthe 1970s that the blockbusters as we now know it was officially born. Themovie that started it all, if it has to go to a s ingle movie, was Jaws. Thoughsomewhat similar to the formula that had described blockbusters under theold studio system, it broke the mold in several major ways. First, its cast was,for the most part, unknown actors. Under the old model it was thoughtimpossible to have a blockbuster without a recognizable cast. Second, andmuch more importantly, it used shocking special effects, namely a largemechanical shark, to thrill the audience. Audiences had scene special effectsbefore, but this was a whole new level of realism. Thus was born the era ofthe f/x blockbuster. A few years later the trend was reaffirmed whenaudiences were again captivated by special effects in one of the most popularmovies of all time, Star Wars. Special effects surrounding romanticized andoften simplistic characters became the core of the blockbusters, the newformula that brought back the large audiences and flowing cash toHollywood. By the mid-1970s the new formula for success had beenreached. Whereas before a lar ge number of movies were released and shownon the screens of the theaters that bought them, movies were now released insmaller numbers on thousands of screens at once and advertised with massivepromotion campaigns to maximize gross on each film. It broke the financialslump of the 60s and remains the formula today. In 1978 a device was alsodeveloped that opened new doors for filmmakers. Dubbed the Steadicam, itwas a camera mount that attached to the cameraman rather than a tripod ordolly. Thus, instead of being stationary or relying on a track or cart to move,the camera could go anywhere a cameraman could walk or run. Since then,numerous changes in the system have consistently improved its quality andease of use. One of the most recent examples of a sequence filmed using theSteadicam were the Normandy battle sequences of Spielburgs SavingPrivate Ryan. The only major change in the film industry that occurred in the80s (aside from the technological advances that occur constantly since thecreation of the first camera but are for the most part too technical to beinteresting to you or I) was the rise of new mediums. Cable companiesexploded in the 1980s, wiring the country with a multitude of newentertainment possibilities. This wave of entertainment also started a trend ofincreasing independent production. Up until that time, an independent filmoften had trouble finding an audience as major theater chains only dealt withstudios. Cable opened up new audiences for independents and was a strongcontributor the growth of that sector of the industry. The major technicaladvance of the 1990s has been the advent of the Digital Age. All acrossAmerica people are going digital, with CDs having completely replaced vinyland tapes, DVDs becoming increasingly popular, and camcorders andcameras becoming sharper and sharper. Hollywood is not to be left behind,in fact they are far ahead. Though digital editors have been in use since the1980s, it was not until the 1990s that the non-li near format of editingbecame a true standard, as even high school programs began to purchaseconsumer-grade non-linear devices. At the same time, advances in the 1990shave grown by leaps and bounds. Numerous breakthroughs in computereffects editing make it not only possible to alter the look of a film in acomputer, but also extremely cost effective, as more productions use thecomputer to delete out mistakes in filming, or expand the grandeur of a scene(an example of this will be seen in an upcoming war movie as yet unnamed inwhich twenty extras charging across a battlefield will be digitally cloned into athousand-man assault). Perhaps the most important step comes from thepioneer of the digital world, George Lucas. Releasing Star Wars: E1 in threetheaters using completely digital projectors (no film reels needed) and makinghis preparations to film the next two using completely digital cameras andencouraging release on completely digital theaters. It is now clear toHollywood and the r est of the world that digital is the next evolution in film. Technology Essays

Napster Essays (1410 words) - Virtual Communities, Metallica

Napster If you want to know where a Silicon Valley-ite stands in the ongoing war for the soul of the Internet, just ask him or her what the buzzword is these days. Many will tell you it is B2B, a backslapping shorthand for e-schemes directed to the business to business market. But those who still believe that the Internet revolution is still a seething, evolving, paradigm-busting phenomenon will offer a different buzzword: Napster (Levy 68). This new term pertains to a specific digital-music program, the start-up company built around the free software and the full effect brought about by its crazy popularity (Ante 197,198). 19-year-old Shawn Fanning began writing the code so he could stop his roommates constant complaining about the unreliable MP3 search engines (Greenfeld, The Free Juke Box, 82). It took a true Internet kidto figure out that the way to do it was to allow anybody free and total access to everybody elses music collection (Levy 68). Download the program, free of charge, and simply type in the songs that are desired. Napster then lists whats available online in the MP3 format on thousands of hard drives. It then finds the selection on someone elses hard drive, and with a click of a button its downloaded onto your hard drive, and others can then download it from there (Levy 68). Napster is a program that should not be shut-down but supported because it enables people to search for and download songs that are no longer produced, available, or hard to find. Napster has made itself some powerful enemies in its short existence (Cohen 41). It has drawn the wrath of the record industry, whose suit charges the company launched a service that enables and facilitates piracy of music on an unprecedented scale (Brull 50). Piracy is defined by the World Book Dictionary as the act of publishing or using a book, play, musical composition, or the like, without permission (Barnhart). In fact, Napster does the exact opposite. It states so in its Napster, Inc. End-User Software License Agreement (Appendix A): The software integrated browser which, when used with the Napster service, is designed to enable musicians and music fans to locate audio recordings available in the MP3 formatAccordingly, you are responsible for complying with all applicable federal and state laws applicable to such content, including copyright laws. Napster respects copyright law and expects our users to do the same. Unauthorized copying, distribution, modification, public display, or public performance of copyrighted works is an infringement of the copyright holders rights. The above paragraph states the terms that Napster makes with its users. The terms state that Napster respects copyright laws and expects its users to do the same. A federal judge in New York ruled that a new service from MP3.com Inc. let people access their music from the Web and that had infringed on copyright laws (Brull 50). But what looked like a victory for the $14.6 billion record industry was only a skirmish in a war it is losing (Brull 50). The message has become quite clear: Courtroom victories wont save the Industry. Instead, the record companies should quickly create new business models that would allow consumers to organize their music on computers and send it over the net. So far, the big industry giants have been dragging their feet. They fear that surrendering control of music distribution would mean losing revenue and royalties (Brull 50). There are signs that the industry is finally moving. On April 28, for instance, Sony Music Entertainment Inc. began selling digitally delivered singles from Babyface, Pearl Jam, and two-dozen other artists at its Sonymusic.com site (Brull 50). And on May 2, Sony and Universal Music Group announced a joint venture to develop a subscription-based service over computers, cell phones, and set-up boxes. But these ventures are little more than baby steps. Sonys download service is a nonstarter because songs are priced at the same level as CD singles (Brull 50). Moreover, the system restricts users ability to transfer files to their own computer or to other digital devices such as MP3 players. Contrast that with Napster, which allows PC owners to share their music files that are stored on their hard drives over the Net (Brull

The Misery by Anton Chekhov Essays

The Misery by Anton Chekhov Essays The Misery by Anton Chekhov Paper The Misery by Anton Chekhov Paper Name: Tutor: Course: Date: The Misery by Anton Chekhov 1. Misery is a short story written by Anton Chekhov. Constance Garnett translated it from Russian to English. Chekhov began writing with the purpose of raising funds for his medical education at Moscow University and upkeep for his family. In 1884, the author graduated from the University and began his medical practice. In 1886, he published his acclaimed work, Misery. The story in question revolves around Iona Potapov, an old sledge driver. It is set a week after Potapov’s son dies in a hospital, during 19th Century Russia. Other characters in the story are a military officer, three young men, a house porter and a sleepy cabman. Potapov’s horse also plays a role in the story’s proceedings. The characters mentioned, have a significant role in bringing forward Chekhov’s ideals. Anton Chekhov proposes that human beings have no concern for each other’s hardships. Various instances in the short story show this. The story begins with Iona seeking for a customer in the snowy town. Eventually, a military officer boards his sledge. Chekhov portrays the officer as an impatient and rude character. During the ride, he is as a cautious person just as well. When Iona attempts to inform him of his grief, the officer does not pay attention. They reach their destination and the old man gets new customers, three young men. The young men are obnoxious and rowdy. They pay Iona an unfair fare for the ride. When the old man attempts to inform them of his son’s death, one of the young men rubbishes Iona’s words. The young men impatiently get off the sledge at their destination. The old man decides to end his day by going to the yard. Unfortunately, he has not made enough money to feed his horse with oats. At the yard, he meets a young sledge driver. He wishes to share his grief with him, but the sleepy young man continues with his sleep. Chekhov’s story ends with Iona detailing the loss of his son to his horse as no one else seems concerned with his affairs. Chekhov is a brilliant writer. Several aspects of his writing are admirable. First, his introduction of Iona is impressive. He uses a highly descriptive style. Chekhov first describes the evening. He then describes how snow fell on that occasion, and its effect on the people and objects in the area. (Chekhov 168). Through this, the writer informs his readers that the story begins at the evening and ends at night. This instance also provides us with the season during which the story takes place. The writer also introduces the old man’s hardship through his stillness, in thought. Chekhov also provides the reader with a good description of the old man’s poor driving. He explains that the old man is restless. The writer compares the sledge’s seat to thorns. Chekhov also describes the old man’s difficulty in focusing on the road ahead. Iona, therefore, drives the sledge in a hazardous manner, nearly causing an accident. This situation provokes the military officer to speak to Iona. In turn, the old man sees this as the opportunity to justify his current state. Iona tells the officer of his son’s death. However, the officer interrupts the speech with his commands. The author uses a descriptive style to highlight the hunchback’s response to Iona’s hardship. He describes the manner which the hunchback licks his lips and coughs. This instance helps in showing the hunchback’s reluctance to share the old man’s grief. Anton Chekhov’s depiction of the characters is admirable. He develops them alongside the story’s argument. The military officer is a dismissive character. First, he assumes that Mr. Potapov is asleep by laying still. The officer asks the old man whether he is asleep or not (Chekhov 169). During the ride, Iona speaks to his passenger. At first, he assumes that the officer is ready to listen to the story of his son’s death. However, the officer closes his eyes and pretends to be deep in thought as the old man commences his story. The military officer portrays the notion that people lack genuine concern for each other’s affairs. Chekhov implies that people also take advantage of each other’s hardships in the story. He uses the three young men to portray this notion. The old man picks them up despite a terrible price for the sledge ride. (Chekhov 170). The writer explains that the old man has lost concern for the fare as his grief has occupied his mind. The three have an unsympathetic character. In response to the old man’s story, the hunchback cuts him off and tells him that they shall all die (Chekhov 172). The author portrays the sleepy cabman as a selfish person. He considers his sleep more important than listening to the old man. The writer explains that when Iona began to speak, the young man was fast asleep. Chekhov’s portrayal of grief in the story is admirable. He introduces the old man as a person stricken with grief to an extent that he is immobile. The author depicts Iona Potapov as a person who has separated himself from the society around him, and to an extent, reality. Chekhov describes the old man as white as a ghost, due to snow covering his body. Chekhov further highlights the old man’s stillness. This serves as a portrayal of his grief. When the military officer arrives, he thinks that the old man is asleep. However, he is simply sitting still in thought. The atmosphere in the story is described as dull and cold. This depiction is brought forward by Chekhov’s description of the weather. At the end of the story, the writer describes the old man’s lack of cash. As a result, he misses a meal, and his horse has to eat hay. This further contributes to the reader’s perception of the old man’s bad day. After finding no one to share his misery with, he switches to contemplation and watching his surroundings. Chekhov (174) writes, â€Å"Can he not find among these thousands someone who will listen to him? However, the crowds flit by heedless of him and his misery†¦His misery is immense, beyond all bounds. If Iona’s heart were to burst and his misery flow out, it would flood the whole world, it seems, but it is not seen. It has found a hiding-place in such an insignificant shell that one would not have found it with a candle by daylight†¦Ã¢â‚¬  Through this instance, Anton Chekhov depicts his theme of loneliness. His choice of words further enables the reader familiarity with Iona’s miserable situation. In the end, the old man decides to share his grief with his horse. After all, nobody else is interested in sharing his story. The writer informs us that Mr. Potapov’s horse listens to him as it feeds on hay. Chekhov’s story raises many questions in a readers mind. In the story, the author tackles the old man’s situation casually. A reader wonders whether misery and isolation is a daily phenomenon. From the text, the author depicts sadness as a matter of daily occurrence. Chekhov informs us that the old man’s sadness leaves for a short while, and then comes back heavier than before. The answer provided is unsatisfactory. This is proven when contemporary life is taken into consideration. Not every day happens to be a miserable day. The author has taken a disdainful stance towards the female gender. The writer implies that women are of minimal importance, and all they do is weep during serious situations. This is a derogatory pronouncement. In his efforts to create conversation with the young man, Iona should have thought of a different subject. The writer’s words may upset an audience consisting of the female gender. In the story, Chekhov implies that no person bothered to listen to Iona Potapov’s story of hardship, only an animal did. The author describes the anxiety the old man felt as he looked at the crowd. When it hits him that all the people he sees are strangers, and none is concerned with his bereavement, his pain intensifies. From that, readers wonder whether humans are so cold and ignorant of one another, focusing on themselves instead. Chekhov should have provided at least one instance of an understanding person. It is a reader’s opinion that strangers may not be compassionate to an individual’s suffering. It does not concern them, and they will try to maintain their distance. Furthermore, a reader may deduce that the writer’s sick state of health, at the time of writing, may have disoriented his thoughts on society’s positive aspects. However, Chekhov’s story is highly successful in showing that people have little concern for each other’s problems. 2. Towards the end of the story, Chekhov explains Iona’s desire to speak to someone by comparing his desire for a conversation with the aforementioned man’s thirst. When he discovers that the younger man is asleep, he thinks of what he can use as a conversation starter. However, he ends up talking to his white mare. He tells the horse, â€Å"That’s how it is, old girl. . . . Kuzma Ionitch is gone. . . . He said goodby to me. . . . He went and died for no reason. . .(Chekhov 174)† The writer explains that Iona’s horse eats as it listens to the old man. Chekhov tells us that this simple act carries away the old man. From this, a reader may deduce the ending as a relatively happy one. The writer has solved the conflict of the story. The old man yearns for someone to listen to what he had to say, throughout the story. Amazingly, the horse grants his wish, as he feeds it hay. However, Chekhov should have adopted a different end to the story. An ending with the man talking to the horse is unsatisfactory. A horse is incapable of providing compassion to the old man. Furthermore, the horse is unable to understand the old man’s problems. Furthermore, it is an assumption that the old man knew the horse was listening to him. After all, the writer describes that the old man was carried away as he spoke to the horse (Chekhov 175). As stated earlier, Chekhov wishes to show that people have lost compassion for each other, during times of suffering. Towards the end of his story, Chekhov contradicts his earlier proposition. The writer states that the old man had not earned enough to pay for his horse’s oats. He relates this situation to the misery he has experienced throughout that day. The old man further states that people who have enough to eat ate always happy with their situation (Chekhov 174). From that instance, the old man implies that his misery is attributable to lacking enough money, and in consequence, food. That statement discounts the old man’s earlier need to share his grief, on his son’s death, with strangers. An appropriate ending should reflect the writer’s earlier argument on the old man’s grief. The best ending would be right before the author says, â€Å"His misery is immense, beyond all bounds. If Iona’s heart were to burst and his misery to flow out, it would flood the whole world, it seems, but it is not seen. It has found a hiding-place in such an insignificant shell that one would not have found it with a candle by daylight. . . .(Chekhov 170).† In that scenario, the story ends with an aura of misery. Iona wished for a person to listen to him, which nobody did. This ending enables the story to maintain relevance to the stated theme. Scenarios such as the talk with his horse, and the young man, are cut down on. Such an ending also emphasizes the cruelty of people, as portrayed by the crowd. The story has a dull mood, as described by the weather and speech. The proposed ending will enhance the story’s mood. Furthermore, at the chosen point in the story, a reader experiences its climax. An ending at the suggested point will serve to enhance literary t ools such as suspense to the reader. In the story, Anton Chekhov presents an interesting argument. He implies that humans have lost concern for their counterparts in the society. Various instances justify this thought, in the story. This article supports the aforementioned notion. However, it also mentions differing ideals, to provide an argument to Chekhov’s views. The writer’s positive aspects receive acknowledgement in the essay. Just as well, the article raises various propositions, for the purposes of improving the story. In this light, the essay provides an appropriate alternative to the previous ending. Top of Form Chekhov, Anton P, Okla Elliott, Kyle Minor, and Constance Garnett. The Other Chekhov. Fort Collins, Colo.: New American Press, 2008. Print. 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Bruce Goffs Bavinger House Essays - Organic Architecture

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Simple Harmonic Motoion Lab Report Example | Topics and Well Written Essays - 500 words

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